Despite his newfound cultural cachet, Hancock’s ideas have been kicking around for a long while-he’s been offering variations on his chosen themes for 30 years. Explaining all the reasons Hancock is wrong would take a whole book. Ancient monuments and wisdom are therefore the legacy of Atlantis’s survivors, not Earth’s diverse peoples and cultures. Hancock’s show speculates that a crashing comet destroyed Atlantis, or a similar lost civilization, 13,000 years ago in a series of events remembered as the Great Flood. The answer to that seemed pretty obvious: Hancock’s son, Sean Hancock, is Netflix’s senior manager for unscripted originals. “Why has this been allowed?” asked Britain’s The Guardian. It has also sparked unparalleled outrage from archaeologists and journalists, resulting in dozens of think pieces decrying the show’s many false claims and illogical arguments, analyzing its racist implications, and declaring the series everything from “ fishy” to the “ most dangerous” show on Netflix.
The archaeology-themed series garnered an impressive 24.62 million hours of viewing in its first week of release, landing in the streaming service’s top 10 in 31 countries. British journalist Graham Hancock’s Ancient Apocalypse has become a surprise cultural phenomenon since its November 11 release on Netflix.
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